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保罗·高更 作品欣赏


《布列塔尼农妇》

Joyeuseté (Arearea). <br>1892. Oil on canvas. <br>Musée d'Orsay, Paris, France.  Joyeuseté (Arearea).
1892. Oil on canvas.
Musée d'Orsay, Paris, France.
 
《白马》--The White Horse. <br>1898. Oil on canvas. <br>Musée d'Orsay, Paris, France.  《白马》--The White Horse.
1898. Oil on canvas.
Musée d'Orsay, Paris, France.
 
   
Te arii vahine (The King's Wife). <br>1896. Oil on canvas. <br>The Pushkin Museum of Fine Art, Moscow, Russia.  Te arii vahine (The King's Wife).
1896. Oil on canvas.
The Pushkin Museum of Fine Art, Moscow, Russia.
 
Nafea Faa ipoipo? (When Will You Marry?) <br>1892. Oil on canvas. <br>Kunstmuseum Basel, Basel, Switzerland.  Nafea Faa ipoipo? (When Will You Marry?)
1892. Oil on canvas.
Kunstmuseum Basel, Basel, Switzerland.
 
《布列塔尼农妇》-- Paysannes bretonnes (Breton peasant women)<br>1894; Oil on canvas, 66 x 92 cm <br>Musee d'Orsay, Paris  《布列塔尼农妇》-- Paysannes bretonnes (Breton peasant women)
1894; Oil on canvas, 66 x 92 cm
Musee d'Orsay, Paris
 
Barbarous Tales. 1902. Oil on canvas. Folkwang Museum, Essen, Germany.   Barbarous Tales.
1902. Oil on canvas.
Folkwang Museum, Essen, Germany.
 
高更自画像-- Self-Portrait with the Idol<br>1893; Oil on canvas, 43.8 x 32.7 cm<br>McNay Art Institute, San Antonio, TX  高更自画像-- Self-Portrait with the Idol
1893; Oil on canvas, 43.8 x 32.7 cm
McNay Art Institute, San Antonio, TX
 
M. Loulou<br>1890 (130 Kb); Oil on canvas, 55 x 46.2 cm (21 5/8 x 18 1/8 in); <br>Barnes Foundation, Merion, PA  M. Loulou
1890 (130 Kb); Oil on canvas, 55 x 46.2 cm (21 5/8 x 18 1/8 in);
Barnes Foundation, Merion, PA
 
《市井一角》--Ta Matete (We Shall Not Go to Market Today). <br>1892. Oil on canvas. <br>Kunstmuseum Basel, Basel, Switzerland  《市井一角》--Ta Matete (We Shall Not Go to Market Today).
1892. Oil on canvas.
Kunstmuseum Basel, Basel, Switzerland
 



【画家简介】

保罗·高更 保罗·高更(P.Gauguin ,1848-1903),法国画家,与塞尚、梵高被称为后期印象派三大巨匠。起伏多变的生活境遇,以及理想与现实的矛盾,使高更作品的思想内容比较复杂,难于理解。但是,他画中那种强烈而单纯的色彩,粗犷的用笔,和东方绘画风格的装饰性,形成了一种特殊的美感。20世纪以来,随着对原始艺术的再认识与研究日渐盛行,高更的艺术风格影响后来许多艺术家。高更晚年的生活孤独抑郁,其间创作的重要作品《我们从何处来?我们是谁?我们往何处去?》,反映出了他极端苦闷的思想。英国名作家毛姆,曾以高更传记为题,写了一部小说《月亮与六便士》,以艺术的创造(月亮)与世俗的物质文明(六便士/金钱)为对比,象征书中主角的境遇。