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保罗·高更 作品欣赏


《布列塔尼农妇》

Ceramic Vase with a Caricature Self-Portrait. <br>1889. Oil on canvas. <br>Musée d'Orsay, Paris, France  Ceramic Vase with a Caricature Self-Portrait.
1889. Oil on canvas.
Musée d'Orsay, Paris, France
 
Bonjour, Monsieur Gauguin. <br>1889. Oil on canvas. <br>Narodni Gallery, Prague, Czech Republic  Bonjour, Monsieur Gauguin.
1889. Oil on canvas.
Narodni Gallery, Prague, Czech Republic
 
Caricature Self-Portrait. <br>1889. Oil on wood. <br>The National Gallery of Art, Washington, DC, USA  Caricature Self-Portrait.
1889. Oil on wood.
The National Gallery of Art, Washington, DC, USA
 
Self-Portrait with Yellow Christ. <br>1889. Oil on canvas. <br>Private collection.   Self-Portrait with Yellow Christ.
1889. Oil on canvas.
Private collection.
 
Ondine. <br>1889. Oil on canvas. <br>The Cleveland Museum of Art, Cleveland, USA.  Ondine.
1889. Oil on canvas.
The Cleveland Museum of Art, Cleveland, USA.
 
Yellow Hay Ricks (Fair Harvest). <br>1889. Oil on canvas. <br>Musée d'Orsay, Paris, France  Yellow Hay Ricks (Fair Harvest).
1889. Oil on canvas.
Musée d'Orsay, Paris, France
 
Nirvana, Portrait of Meyer de Haan. <br>1889. Oil and tempera on silk. <br>Wadsworth Atheneum, Hartford, CT, USA  Nirvana, Portrait of Meyer de Haan.
1889. Oil and tempera on silk.
Wadsworth Atheneum, Hartford, CT, USA
 
Eve. Don't Listen to the Liar. <br>1889. Watecolor and paste. <br>Marion Koogler McNay Art Museum, San Antonio, TX, USA  Eve. Don't Listen to the Liar.
1889. Watecolor and paste.
Marion Koogler McNay Art Museum, San Antonio, TX, USA
 
Be in Love and You Will Be Happy. <br>1889. Carved, polished and polychromed linden wood. <br>The Museum of Fine Arts, Boston, MA, USA  Be in Love and You Will Be Happy.
1889. Carved, polished and polychromed linden wood.
The Museum of Fine Arts, Boston, MA, USA
 
Study for La perte de Pucelage (The Loss of Virginity). <br>c.1890-91. Chalk. <br>Block collection, Chicago  Study for La perte de Pucelage (The Loss of Virginity).
c.1890-91. Chalk.
Block collection, Chicago
 



【画家简介】

保罗·高更 保罗·高更(P.Gauguin ,1848-1903),法国画家,与塞尚、梵高被称为后期印象派三大巨匠。起伏多变的生活境遇,以及理想与现实的矛盾,使高更作品的思想内容比较复杂,难于理解。但是,他画中那种强烈而单纯的色彩,粗犷的用笔,和东方绘画风格的装饰性,形成了一种特殊的美感。20世纪以来,随着对原始艺术的再认识与研究日渐盛行,高更的艺术风格影响后来许多艺术家。高更晚年的生活孤独抑郁,其间创作的重要作品《我们从何处来?我们是谁?我们往何处去?》,反映出了他极端苦闷的思想。英国名作家毛姆,曾以高更传记为题,写了一部小说《月亮与六便士》,以艺术的创造(月亮)与世俗的物质文明(六便士/金钱)为对比,象征书中主角的境遇。