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保罗·高更 作品欣赏


《布列塔尼农妇》

Apple-Trees in Blossom. <br>1879. Oil on canvas. <br>Private collection  Apple-Trees in Blossom.
1879. Oil on canvas.
Private collection
 
Effect of Snow. <br>1879. Oil on canvas. <br>Museum of Fine Arts, Budapest, Hungary.  Effect of Snow.
1879. Oil on canvas.
Museum of Fine Arts, Budapest, Hungary.
 
Portrait of Gauguin's Daughter Aline. <br>c.1879-80. Watercolor on paper. <br>Private collection  Portrait of Gauguin's Daughter Aline.
c.1879-80. Watercolor on paper.
Private collection
 
Study of a Nude. Suzanne Sewing. <br>1880. Oil on canvas. <br>Ny Carlsberg-Glyptotek, Copenhagen, Denmark  Study of a Nude. Suzanne Sewing.
1880. Oil on canvas.
Ny Carlsberg-Glyptotek, Copenhagen, Denmark
 
Aube the Sculptor and His Son. <br>1882. Pastel. <br>Musée du Petit Palais, Paris, France  Aube the Sculptor and His Son.
1882. Pastel.
Musée du Petit Palais, Paris, France
 
At the Window (A la fenêtre). <br>1882. Oil on canvas. <br>Collection of Otto Krebs, Holzdorf. Now in the Hermitage, St. Petersburg, Russia  At the Window (A la fenêtre).
1882. Oil on canvas.
Collection of Otto Krebs, Holzdorf. Now in the Hermitage, St. Petersburg, Russia
 
Mandolina and Flowers. <br>1883. Oil on canvas. <br>Private collection  Mandolina and Flowers.
1883. Oil on canvas.
Private collection
 
Bouquet. <br>1884. Oil on canvas. <br>Collection of Otto Krebs, Holzdorf. Now in the Hermitage, St. Petersburg, Russia  Bouquet.
1884. Oil on canvas.
Collection of Otto Krebs, Holzdorf. Now in the Hermitage, St. Petersburg, Russia
 
Cattle Drinking. <br>1885. Oil on canvas. <br>Galleria d'Arte Moderna, Milan, Italy  Cattle Drinking.
1885. Oil on canvas.
Galleria d'Arte Moderna, Milan, Italy
 
Still Life with Mandolin. <br>1885. Oil on canvas. <br>Musée d'Orsay, Paris, France  Still Life with Mandolin.
1885. Oil on canvas.
Musée d'Orsay, Paris, France
 



【画家简介】

保罗·高更 保罗·高更(P.Gauguin ,1848-1903),法国画家,与塞尚、梵高被称为后期印象派三大巨匠。起伏多变的生活境遇,以及理想与现实的矛盾,使高更作品的思想内容比较复杂,难于理解。但是,他画中那种强烈而单纯的色彩,粗犷的用笔,和东方绘画风格的装饰性,形成了一种特殊的美感。20世纪以来,随着对原始艺术的再认识与研究日渐盛行,高更的艺术风格影响后来许多艺术家。高更晚年的生活孤独抑郁,其间创作的重要作品《我们从何处来?我们是谁?我们往何处去?》,反映出了他极端苦闷的思想。英国名作家毛姆,曾以高更传记为题,写了一部小说《月亮与六便士》,以艺术的创造(月亮)与世俗的物质文明(六便士/金钱)为对比,象征书中主角的境遇。