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保罗·高更 作品欣赏


《布列塔尼农妇》

Study for the Bathers. <br>1886. Black chalk and pastel. <br>Art Institute of Chicago, Chicago, IL, USA  Study for the Bathers.
1886. Black chalk and pastel.
Art Institute of Chicago, Chicago, IL, USA
 
The Four Breton Girls. <br>c.1886. Oil on canvas. <br>Neue Pinakothek, Munich, Germany  The Four Breton Girls.
c.1886. Oil on canvas.
Neue Pinakothek, Munich, Germany
 
Breton Shepherdess. <br>1886. Oil on canvas. <br>Laing Art Gallery, Newcastle-upon-Tyne, UK  Breton Shepherdess.
1886. Oil on canvas.
Laing Art Gallery, Newcastle-upon-Tyne, UK
 
Washerwomen at Pont-Aven. <br>1886. Oil on canvas. <br>Musée d'Orsay, Paris, France  Washerwomen at Pont-Aven.
1886. Oil on canvas.
Musée d'Orsay, Paris, France
 
At the Pond. <br>1887. Oil on canvas. <br>Rijksmuseum Vincent van Goug, Amsterdam, the Netherlands  At the Pond.
1887. Oil on canvas.
Rijksmuseum Vincent van Goug, Amsterdam, the Netherlands
 
Huts under Trees. <br>1887. Oil on canvas. <br>Private collection  Huts under Trees.
1887. Oil on canvas.
Private collection
 
Palm Trees on Martinique. <br>1887. Oil on canvas. <br>Private collection  Palm Trees on Martinique.
1887. Oil on canvas.
Private collection
 
Head of a Negress. <br>1887. <br>Pastel. Rijksmuseum Vincent van Goug, Amsterdam, the Netherlands  Head of a Negress.
1887.
Pastel. Rijksmuseum Vincent van Goug, Amsterdam, the Netherlands
 
Madame Alexandre Kohler. <br>1887/88. Oil on canvas. <br>The National Gallery of Art, Washington, DC, USA  Madame Alexandre Kohler.
1887/88. Oil on canvas.
The National Gallery of Art, Washington, DC, USA
 
Still Life with Three Puppies. <br>1888. Oil on wood. <br>Museum of Modern Art, New York, NY, USA  Still Life with Three Puppies.
1888. Oil on wood.
Museum of Modern Art, New York, NY, USA
 



【画家简介】

保罗·高更 保罗·高更(P.Gauguin ,1848-1903),法国画家,与塞尚、梵高被称为后期印象派三大巨匠。起伏多变的生活境遇,以及理想与现实的矛盾,使高更作品的思想内容比较复杂,难于理解。但是,他画中那种强烈而单纯的色彩,粗犷的用笔,和东方绘画风格的装饰性,形成了一种特殊的美感。20世纪以来,随着对原始艺术的再认识与研究日渐盛行,高更的艺术风格影响后来许多艺术家。高更晚年的生活孤独抑郁,其间创作的重要作品《我们从何处来?我们是谁?我们往何处去?》,反映出了他极端苦闷的思想。英国名作家毛姆,曾以高更传记为题,写了一部小说《月亮与六便士》,以艺术的创造(月亮)与世俗的物质文明(六便士/金钱)为对比,象征书中主角的境遇。