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保罗·高更 作品欣赏


《布列塔尼农妇》

Te Vaa (The Canoe). <br>1896. Oil on canvas. <br>The Hermitage, St. Petersburg, Russia.   Te Vaa (The Canoe).
1896. Oil on canvas.
The Hermitage, St. Petersburg, Russia.
 
Horsemen on the Beach. <br>1902. Oil on canvas. <br>Stavros Niarchos collection.  Horsemen on the Beach.
1902. Oil on canvas.
Stavros Niarchos collection.
 
Girl with a Fan. <br>1902. Oil on canvas. <br>Folkwang Museum, Essen, Germany.  Girl with a Fan.
1902. Oil on canvas.
Folkwang Museum, Essen, Germany.
 
Man Picking Fruit from a Tree. <br>1897. Oil on canvas. <br>The Hermitage, St. Petersburg, Russia.   Man Picking Fruit from a Tree.
1897. Oil on canvas.
The Hermitage, St. Petersburg, Russia.
 
Tarari maruru (Landscape with Two Goats). <br>1897. Oil on canvas. <br>The Hermitage, St. Petersburg, Russia.   Tarari maruru (Landscape with Two Goats).
1897. Oil on canvas.
The Hermitage, St. Petersburg, Russia.
 
Les Alyscamps, Arles<br>1888; Oil on canvas, 91 x 72 cm; <br>Musee d'Orsay, Paris   Les Alyscamps, Arles
1888; Oil on canvas, 91 x 72 cm;
Musee d'Orsay, Paris
 
《Areoi 的后代》<br>1892  《Areoi 的后代》
1892
 
   
Three Tahitian Women Against a Yellow Background. <br>1899. Oil on canvas. <br>The Hermitage, St. Petersburg, Russia.  Three Tahitian Women Against a Yellow Background.
1899. Oil on canvas.
The Hermitage, St. Petersburg, Russia.
 
Harvest of Fruit  Harvest of Fruit 



【画家简介】

保罗·高更 保罗·高更(P.Gauguin ,1848-1903),法国画家,与塞尚、梵高被称为后期印象派三大巨匠。起伏多变的生活境遇,以及理想与现实的矛盾,使高更作品的思想内容比较复杂,难于理解。但是,他画中那种强烈而单纯的色彩,粗犷的用笔,和东方绘画风格的装饰性,形成了一种特殊的美感。20世纪以来,随着对原始艺术的再认识与研究日渐盛行,高更的艺术风格影响后来许多艺术家。高更晚年的生活孤独抑郁,其间创作的重要作品《我们从何处来?我们是谁?我们往何处去?》,反映出了他极端苦闷的思想。英国名作家毛姆,曾以高更传记为题,写了一部小说《月亮与六便士》,以艺术的创造(月亮)与世俗的物质文明(六便士/金钱)为对比,象征书中主角的境遇。