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保罗·高更 作品欣赏


《布列塔尼农妇》

Mimi and Her Cat. <br>1890. Gouache on cardboard. <br>Private collection  Mimi and Her Cat.
1890. Gouache on cardboard.
Private collection
 
Portrait of a Woman with Cézanne Still-Life. 1890 Oil on canvas. <br>Art Institute of Chicago, Chicago, IL, USA  Portrait of a Woman with Cézanne Still-Life. 1890 Oil on canvas.
Art Institute of Chicago, Chicago, IL, USA
 
Haystacks in Brittany. <br>1890. Oil on canvas. <br>The National Gallery of Art, Washington, DC, USA  Haystacks in Brittany.
1890. Oil on canvas.
The National Gallery of Art, Washington, DC, USA
 
Landscape. <br>1890. Oil on canvas. <br>The National Gallery of Art, Washington, DC, USA.   Landscape.
1890. Oil on canvas.
The National Gallery of Art, Washington, DC, USA.
 
Vahine no te tiare (Woman with a Flower). <br>1891. Oil on canvas. <br>Ny Carlsberg-Glyptotek, Copenhagen, Denmark.  Vahine no te tiare (Woman with a Flower).
1891. Oil on canvas.
Ny Carlsberg-Glyptotek, Copenhagen, Denmark.
 
Te Faaturuma (Brooding Woman). <br>1891. Oil on canvas. <br>The Worcester Art Museum, Worcester, MA, USA  Te Faaturuma (Brooding Woman).
1891. Oil on canvas.
The Worcester Art Museum, Worcester, MA, USA
 
The Meal (The Bananas). <br>1891. Oil on canvas. <br>Musée d'Orsay, Paris, France  The Meal (The Bananas).
1891. Oil on canvas.
Musée d'Orsay, Paris, France
 
The Fisherwomen of Tahiti. <br>1891. Oil on canvas. <br>Nationalgalerie, Berlin, Germany.  The Fisherwomen of Tahiti.
1891. Oil on canvas.
Nationalgalerie, Berlin, Germany.
 
Black Pigs. <br>1891. Oil on canvas. <br>Museum of Fine Arts, Budapest, Hungary.   Black Pigs.
1891. Oil on canvas.
Museum of Fine Arts, Budapest, Hungary.
 
Self-Portrait. <br>c.1891. Oil on canvas. <br>The National Gallery of Art, Washington, DC, USA.  Self-Portrait.
c.1891. Oil on canvas.
The National Gallery of Art, Washington, DC, USA.
 



【画家简介】

保罗·高更 保罗·高更(P.Gauguin ,1848-1903),法国画家,与塞尚、梵高被称为后期印象派三大巨匠。起伏多变的生活境遇,以及理想与现实的矛盾,使高更作品的思想内容比较复杂,难于理解。但是,他画中那种强烈而单纯的色彩,粗犷的用笔,和东方绘画风格的装饰性,形成了一种特殊的美感。20世纪以来,随着对原始艺术的再认识与研究日渐盛行,高更的艺术风格影响后来许多艺术家。高更晚年的生活孤独抑郁,其间创作的重要作品《我们从何处来?我们是谁?我们往何处去?》,反映出了他极端苦闷的思想。英国名作家毛姆,曾以高更传记为题,写了一部小说《月亮与六便士》,以艺术的创造(月亮)与世俗的物质文明(六便士/金钱)为对比,象征书中主角的境遇。