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保罗·高更 作品欣赏


《布列塔尼农妇》

The Great Buddha. <br>1899. Oil on canvas. <br>The Pushkin Museum of Fine Art, Moscow, Russia.  The Great Buddha.
1899. Oil on canvas.
The Pushkin Museum of Fine Art, Moscow, Russia.
 
《扶手椅上的向日葵》--Sunflowers. <br>1901. Oil on canvas. <br>The Hermitage, St. Petersburg, Russia.   《扶手椅上的向日葵》--Sunflowers.
1901. Oil on canvas.
The Hermitage, St. Petersburg, Russia.
 
Still Life with Parrots. <br>1902. Oil on canvas. <br>The Pushkin Museum of Fine Art, Moscow, Russia.  Still Life with Parrots.
1902. Oil on canvas.
The Pushkin Museum of Fine Art, Moscow, Russia.
 
《梦幻》--Siesta. <br>1894. Oil on canvas. <br>Private collection.  《梦幻》--Siesta.
1894. Oil on canvas.
Private collection.
 
Mahana no atua (Day of God). <br>c.1894. Oil on canvas. <br>Art Institute of Chicago, Chicago, IL, USA.   Mahana no atua (Day of God).
c.1894. Oil on canvas.
Art Institute of Chicago, Chicago, IL, USA.
 
《布道后的幻象(雅各与天使搏斗)》  《布道后的幻象(雅各与天使搏斗)》 
《两位塔希提妇女》--Two Tahitian Women with Mango Blossoms. <br>1899. Oil on canvas. <br>The Metropolitan Museum of Art, New York, USA.  《两位塔希提妇女》--Two Tahitian Women with Mango Blossoms.
1899. Oil on canvas.
The Metropolitan Museum of Art, New York, USA.
 
《那女人的肉体似黄金》<br>--And the Gold of Their Bodies (Et l'or de leurs corps). <br>1901. Oil on canvas. <br>Musée d'Orsay, Paris, France.   《那女人的肉体似黄金》
--And the Gold of Their Bodies (Et l'or de leurs corps).
1901. Oil on canvas.
Musée d'Orsay, Paris, France.
 
The Schuffenecker Family. <br>1889. Oil on canvas. <br>Musée d'Orsay, Paris, France  The Schuffenecker Family.
1889. Oil on canvas.
Musée d'Orsay, Paris, France
 
Breton Landscape (The "Moulin David"). <br>1894. Oil on canvas. <br>Musée d'Orsay, Paris, France.  Breton Landscape (The "Moulin David").
1894. Oil on canvas.
Musée d'Orsay, Paris, France.
 



【画家简介】

保罗·高更 保罗·高更(P.Gauguin ,1848-1903),法国画家,与塞尚、梵高被称为后期印象派三大巨匠。起伏多变的生活境遇,以及理想与现实的矛盾,使高更作品的思想内容比较复杂,难于理解。但是,他画中那种强烈而单纯的色彩,粗犷的用笔,和东方绘画风格的装饰性,形成了一种特殊的美感。20世纪以来,随着对原始艺术的再认识与研究日渐盛行,高更的艺术风格影响后来许多艺术家。高更晚年的生活孤独抑郁,其间创作的重要作品《我们从何处来?我们是谁?我们往何处去?》,反映出了他极端苦闷的思想。英国名作家毛姆,曾以高更传记为题,写了一部小说《月亮与六便士》,以艺术的创造(月亮)与世俗的物质文明(六便士/金钱)为对比,象征书中主角的境遇。