|
|
保罗·高更 作品欣赏
|
Ceramic Vase with a Caricature Self-Portrait. 1889. Oil on canvas. Musée d'Orsay, Paris, France |
|
Bonjour, Monsieur Gauguin. 1889. Oil on canvas. Narodni Gallery, Prague, Czech Republic |
|
Caricature Self-Portrait. 1889. Oil on wood. The National Gallery of Art, Washington, DC, USA |
|
Self-Portrait with Yellow Christ. 1889. Oil on canvas. Private collection. |
|
Ondine. 1889. Oil on canvas. The Cleveland Museum of Art, Cleveland, USA. |
|
Yellow Hay Ricks (Fair Harvest). 1889. Oil on canvas. Musée d'Orsay, Paris, France |
|
Nirvana, Portrait of Meyer de Haan. 1889. Oil and tempera on silk. Wadsworth Atheneum, Hartford, CT, USA |
|
Eve. Don't Listen to the Liar. 1889. Watecolor and paste. Marion Koogler McNay Art Museum, San Antonio, TX, USA |
|
Be in Love and You Will Be Happy. 1889. Carved, polished and polychromed linden wood. The Museum of Fine Arts, Boston, MA, USA |
|
Study for La perte de Pucelage (The Loss of Virginity). c.1890-91. Chalk. Block collection, Chicago |
【画家简介】
保罗·高更
保罗·高更(P.Gauguin ,1848-1903),法国画家,与塞尚、梵高被称为后期印象派三大巨匠。起伏多变的生活境遇,以及理想与现实的矛盾,使高更作品的思想内容比较复杂,难于理解。但是,他画中那种强烈而单纯的色彩,粗犷的用笔,和东方绘画风格的装饰性,形成了一种特殊的美感。20世纪以来,随着对原始艺术的再认识与研究日渐盛行,高更的艺术风格影响后来许多艺术家。高更晚年的生活孤独抑郁,其间创作的重要作品《我们从何处来?我们是谁?我们往何处去?》,反映出了他极端苦闷的思想。英国名作家毛姆,曾以高更传记为题,写了一部小说《月亮与六便士》,以艺术的创造(月亮)与世俗的物质文明(六便士/金钱)为对比,象征书中主角的境遇。
|
|