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保罗·高更 作品欣赏
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Mimi and Her Cat. 1890. Gouache on cardboard. Private collection |
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Portrait of a Woman with Cézanne Still-Life. 1890 Oil on canvas. Art Institute of Chicago, Chicago, IL, USA |
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Haystacks in Brittany. 1890. Oil on canvas. The National Gallery of Art, Washington, DC, USA |
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Landscape. 1890. Oil on canvas. The National Gallery of Art, Washington, DC, USA. |
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Vahine no te tiare (Woman with a Flower). 1891. Oil on canvas. Ny Carlsberg-Glyptotek, Copenhagen, Denmark. |
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Te Faaturuma (Brooding Woman). 1891. Oil on canvas. The Worcester Art Museum, Worcester, MA, USA |
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The Meal (The Bananas). 1891. Oil on canvas. Musée d'Orsay, Paris, France |
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The Fisherwomen of Tahiti. 1891. Oil on canvas. Nationalgalerie, Berlin, Germany. |
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Black Pigs. 1891. Oil on canvas. Museum of Fine Arts, Budapest, Hungary. |
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Self-Portrait. c.1891. Oil on canvas. The National Gallery of Art, Washington, DC, USA. |
【画家简介】
保罗·高更
保罗·高更(P.Gauguin ,1848-1903),法国画家,与塞尚、梵高被称为后期印象派三大巨匠。起伏多变的生活境遇,以及理想与现实的矛盾,使高更作品的思想内容比较复杂,难于理解。但是,他画中那种强烈而单纯的色彩,粗犷的用笔,和东方绘画风格的装饰性,形成了一种特殊的美感。20世纪以来,随着对原始艺术的再认识与研究日渐盛行,高更的艺术风格影响后来许多艺术家。高更晚年的生活孤独抑郁,其间创作的重要作品《我们从何处来?我们是谁?我们往何处去?》,反映出了他极端苦闷的思想。英国名作家毛姆,曾以高更传记为题,写了一部小说《月亮与六便士》,以艺术的创造(月亮)与世俗的物质文明(六便士/金钱)为对比,象征书中主角的境遇。
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