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保罗·高更 作品欣赏
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Self-Portrait. c.1893-1894. Oil on canvas. Musée d'Orsay, Paris, France. |
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Portrait of William Molard. Reverse of Self-Portrait. 1893-94. Oil on canvas. Musée d'Orsay, Paris, France |
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Floral and Vegetal Motifs. 1893. Painting on glass. Musée d'Orsay, Paris, France. |
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Tahitian Woman in a Landscape. 1893. Painting on glass. Oil on canvas. Musée d'Orsay, Paris, France. |
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Breton Landscape (The "Moulin David"). 1894. Oil on canvas. Musée d'Orsay, Paris, France. |
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Breton Village in Snow. 1894. Oil on canvas. Musée d'Orsay, Paris, France. |
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Portrait of Mother. 1894. Oil on canvas. State Gallery of Stuttgart, Stuttgart, Germany. |
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Head of Young Breton Peasant Woman. c.1894. Pencil, red and black chalk, wash. Fogg Art Museum, Harvard University, Cambridge, MA, USA. |
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The Cellist (Portrait of Upaupa Scheklud). 1894. Oil on canvas. Baltimore Museum of Art, Baltimore, MD, USA. |
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Ceramic vase with Tahitian Gods - Hina and Tefatou. c.1894-95. Museum of Decorative Arts, Copenhagen, Denmark. |
【画家简介】
保罗·高更
保罗·高更(P.Gauguin ,1848-1903),法国画家,与塞尚、梵高被称为后期印象派三大巨匠。起伏多变的生活境遇,以及理想与现实的矛盾,使高更作品的思想内容比较复杂,难于理解。但是,他画中那种强烈而单纯的色彩,粗犷的用笔,和东方绘画风格的装饰性,形成了一种特殊的美感。20世纪以来,随着对原始艺术的再认识与研究日渐盛行,高更的艺术风格影响后来许多艺术家。高更晚年的生活孤独抑郁,其间创作的重要作品《我们从何处来?我们是谁?我们往何处去?》,反映出了他极端苦闷的思想。英国名作家毛姆,曾以高更传记为题,写了一部小说《月亮与六便士》,以艺术的创造(月亮)与世俗的物质文明(六便士/金钱)为对比,象征书中主角的境遇。
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