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保罗·高更 作品欣赏
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Self-portrait. 1891. Oil on canvas. Private collection. |
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Head of a Woman. c.1891-92. Watercolor on paper. Private collection. |
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Musique barbare. c.1891-93. Watercolor on silk. Private collection. |
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Parau Api (What's New?). 1892. Oil on canvas. Gemaldegalerie Neue Meister, Dresden, Germany |
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Vahine no te vi (Woman with a Mango). 1892. Oil on canvas. Baltimore Museum of Art, Baltimore, MD, USA. |
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Piti Teina. (Two Sisters). 1892. Oil on canvas. Collection of Otto Krebs, Holzdorf. Now in the Hermitage, St. Petersburg, Russia |
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Taperaa Mahana. 1892. Oil on canvas. Collection of Otto Krebs, Holzdorf. Now in the Hermitage, St. Petersburg, Russia. |
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Tahitian Eve. c.1892. Watercolor. Musee de peinture et de Sculpture, Grenoble, France. |
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Words of the Devil. c.1892. Pastel. Kupferstichkabinett, Offentliche Kunstsammlung, Basle, Switzerland. |
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Study for "When Will You Marry?"
c.1892. Pencil, charcoal and pastel. Art Institute of Chicago, Chicago, IL, USA. |
【画家简介】
保罗·高更
保罗·高更(P.Gauguin ,1848-1903),法国画家,与塞尚、梵高被称为后期印象派三大巨匠。起伏多变的生活境遇,以及理想与现实的矛盾,使高更作品的思想内容比较复杂,难于理解。但是,他画中那种强烈而单纯的色彩,粗犷的用笔,和东方绘画风格的装饰性,形成了一种特殊的美感。20世纪以来,随着对原始艺术的再认识与研究日渐盛行,高更的艺术风格影响后来许多艺术家。高更晚年的生活孤独抑郁,其间创作的重要作品《我们从何处来?我们是谁?我们往何处去?》,反映出了他极端苦闷的思想。英国名作家毛姆,曾以高更传记为题,写了一部小说《月亮与六便士》,以艺术的创造(月亮)与世俗的物质文明(六便士/金钱)为对比,象征书中主角的境遇。
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