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保罗·高更 作品欣赏
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Breton Girls Dancing, Pont-Aven. 1888. Oil on canvas. The National Gallery of Art, Washington, DC, USA. |
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Breton Girls Dancing. 1888. Pastel on paper. Rijksmuseum Vincent van Goug, Amsterdam, the Netherlands |
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Madeleine Bernard. 1888. Oil on canvas. Musée de Peinture et de Sculpture, Grenoble, France. |
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Night Café at Arles. 1888. Oil on canvas. The Pushkin Museum of Fine Art, Moscow, Russia |
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Women from Arles in the Public Garden, the Mistral. 1888. Oil on canvas. Art Institute of Chicago, Chicago, IL, USA.. |
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Hay-Making in Brittany. 1888. Oil on canvas. Musée d'Orsay, Paris, France |
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Bouquet of Flowers with a Window Open to the Sea (Reverse of Hay-Making in Brittany). 1888. Oil on canvas. Musée d'Orsay, Paris, France. |
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The Alyscamps. 1888. Oil on canvas. Musée d'Orsay, Paris, France |
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Harvesting of Grapes at Arles (Misères humaines). 1888. Oil on canvas. Art Museum Ordrupgard, Copenhagen, Denmark |
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Fruits. 1888. Oil on canvas. The Pushkin Museum of Fine Art, Moscow, Russia. |
【画家简介】
保罗·高更
保罗·高更(P.Gauguin ,1848-1903),法国画家,与塞尚、梵高被称为后期印象派三大巨匠。起伏多变的生活境遇,以及理想与现实的矛盾,使高更作品的思想内容比较复杂,难于理解。但是,他画中那种强烈而单纯的色彩,粗犷的用笔,和东方绘画风格的装饰性,形成了一种特殊的美感。20世纪以来,随着对原始艺术的再认识与研究日渐盛行,高更的艺术风格影响后来许多艺术家。高更晚年的生活孤独抑郁,其间创作的重要作品《我们从何处来?我们是谁?我们往何处去?》,反映出了他极端苦闷的思想。英国名作家毛姆,曾以高更传记为题,写了一部小说《月亮与六便士》,以艺术的创造(月亮)与世俗的物质文明(六便士/金钱)为对比,象征书中主角的境遇。
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